En Político (268d-277a) la historia ficticia de la reversión periódica del universo expresa la existencia en el universo de dos fuerzas o tendencias en concurrencia: la que orienta al mundo y al hombre hacia su télos, que es lo más perfecto, y la tendencia hacia el desorden y la confusión, es decir, la puramente mecánica y azarosa. Finalidad y mecanismo las dos tendencias que están presentes en Timeo, reaparecen en el libro de Leyes bajo la forma de un alma buena (...) y un alma mala. La primera es la que da cuenta del movimiento racional del mundo, en tanto que la segunda es causante de su movimiento alocado e irregular (897c-d). En Político las dos tendencias o fuerzas rectoras del universo alternan su predominancia, están en tensión. Y es la medida de esa alternancia la que salva al mundo de la destrucción y hace que se mantenga el equilibrio. Ese juego de tensiones traduce la existencia de una proporcionalidad en el seno del universo, gracias a la cual el mundo es precisamente un kósmos. En el Timeo el equilibrio resulta de la persuasión que la inteligencia ejerce sobre la necesidad, orientándola hacia lo mejor. También en Leyes reaparece esta idea, en X 906a ese equilibrio consiste en una tensión entre lo racional y lo irracional que hay en el universo. (shrink)

En este artículo trato de mostrar la diferencia entre el concepto de tò posón, la cantidad determinada o proporción matemática, válida en el terreno de las realidades cuantificables, y el concepto de tò métrion, la justa medida, válida en el terreno de las acciones humanas, no cuantificables. Argume..

This paper purports toshow that it is not necessary to read the early Platonic dialogues starting from the "classic" theory of Forms. It argues, instead, that it is possibleto analyze them and, above all, to explain the use of the vocabulary of "presence" starting from the more general and prior possibility of distinguishing a subject from its accidental predicates, especially quality. The relation of "present in" or "being in" to which Plato recurs. is inherited by Aristotle. The distinction between "being (...) said about something as asubject" and "being in something as in a subject" (Categories 2) seems to be a"natural" development of Platonic ontology. It is argued that the Aristotelian conception is closer to the earlier than to the intermediate dialogues. (shrink)

The Mondragon Corporation, a group of cooperatives, is a thriving example of how cooperatives can succeed. The authors describe six features of the corporation and five 'successful cooperative actions' that they consider to be crucial in explaining its accomplishments. Both the specific features and the successful actions are contrasted with those of standard capitalist companies, to show how this case is unique in the field of corporate organization and management. Through a combination of democratic principles, the values of solidarity, and (...) strong competitiveness, Mondragon has simultaneously achieved both efficiency and equity and has become an alternative to the organizational and governance models of traditional capitalist firms. (shrink)

Este artículo analiza un grupo de producciones audiovisuales latinoamericanas a la luz del problema de lo “necropolítico” de Achile Mbembe. Estas películas y series de televisión se han producido desde los años noventa del siglo xx hasta la actualidad, y tienen como universo temático el mundo delincuencial de ciudades latinoamericanas, corpus que he conceptualizado anteriormente dentro de la estética audiovisual como Noir Lumpen latinoamericano. Dentro de esto, nos posibilitará pensar un problema extracinematográfico: cómo las formas “necropolíticas” son el régimen biopolítico (...) en que viven vastos sectores de las sociedades latinoamericanas y que sus espacios urbanos no toman las formas de la cárcel panóptica foucaultiana, sino las formas de los pabellones penitenciarios latinoamericanos. (shrink)

Historical discourses in cinema have generally given rise to cinematographic genres. In Chilean fiction films, however, a different scope is necessary to study its discourses. This essay proposes that it is possible to recognize three main aesthetic strategies by which Chilean fiction films use historical discourse in order to produce certain “verisimilitude effects”: contextual comment, hegemonic or counterhegemonic reinforcement, and narrative subordination.

En Político (268d-277a) la historia ficticia de la reversión periódica del universo expresa la existencia en el universo de dos fuerzas o tendencias en concurrencia: la que orienta al mundo y al hombre hacia su télos, que es lo más perfecto, y la tendencia hacia el desorden y la confusión, es decir, la puramente mecánica y azarosa. Finalidad y mecanismo las dos tendencias que están presentes en Timeo, reaparecen en el libro de Leyes bajo la forma de un alma buena (...) y un alma mala. La primera es la que da cuenta del movimiento racional del mundo, en tanto que la segunda es causante de su movimiento alocado e irregular (897c-d). En Político las dos tendencias o fuerzas rectoras del universo alternan su predominancia, están en tensión. Y es la medida de esa alternancia la que salva al mundo de la destrucción y hace que se mantenga el equilibrio. Ese juego de tensiones traduce la existencia de una proporcionalidad en el seno del universo, gracias a la cual el mundo es precisamente un kósmos. En el Timeo el equilibrio resulta de la persuasión que la inteligencia ejerce sobre la necesidad, orientándola hacia lo mejor. También en Leyes reaparece esta idea, en X 906a ese equilibrio consiste en una tensión entre lo racional y lo irracional que hay en el universo. (shrink)

Tras una breve introducción destinada a recordar las grandes líneas del pensamiento de plotiniano, el trabajo analiza tres modos de conocimiento o de aprehensión que caracterizan los tres niveles de la realidad o hipóstasis. En el nivel de la inteligencia, nous, al que se denomina nivel noético, se verifica un tipo de conocimiento genuino, que es el autoconocimiento. En el nivel del alma, psiché, nivel dianoético, se da un conocimiento de tipo discursivo que sólo en sentido secundario y derivado es (...) conocimiento de sí. Por fin, en el nivel de lo Uno, tó ghén, nivel supranoético, puede hablarse de un conocimiento de sí solo en sentido traslaticio y “eminencial”, puesto que el primer principio de la realidad, que es absoluta unidad, al no tener duplicidad alguna, en sentido estricto no puede tener pensamiento, ni siquiera de sí mismo, pero, al mismo, no es algo inherte, si no absoluta plenitud. El trabajo intenta mostrar cómo Plotino se apoya en el tipo de conocimiento de la inteligencia, que le sirve de punto nodal, para articular los tres modos de conocimiento y para caracterizar un “infra-autoconocimiento”, el del alma, y un “supra-autoconocimiento”, el de lo Uno. (shrink)

Conceptual metaphor theory (CMT) has become prominent in metaphor scholarship because of its explanation of the relations between people's metaphoric thoughts and their use of metaphoric discourse. Our aim in this article is to explore the temporal characteristics of how conceptual metaphors shape verbal metaphor use. We argue that cognitive linguistics and psycholinguistics mostly adopt simplistic, and psychologically implausible, views of how conceptual metaphors are activated and then constrain people's comprehension of metaphoric language. But more contemporary ideas on how cognitive (...) processing unfolds over time in human experience provide better models of how conceptual metaphors shape verbal metaphor use. The implications of this newer vision of CMT are discussed, particularly in regard to methods for studying how conceptual metaphors support interpretation of linguistic metaphor. (shrink)

O artigo apresenta uma pesquisa qualitativa que relata a organização espacial das fazendas aquícolas no litoral central de Santa Catarina, nas comunidades da Praia de Fora e Enseada de Brito, as quais se encontram no município de Palhoça, pertencentes ao Aglomerado Urbano de Florianópolis. As características de ocupação urbana nas localidades supracitadas remontam ao século XVIII, mantendo as atividades econômicas extrativistas e rurais até a segunda metade do século XX. A partir da década de 1960/1970 verificou-se acelerado processo de (...) construção de casas de veraneio, sobrepujado por uma intensa urbanização com moradores fixos por causa do calçamento da via principal em 2010. A legalização das fazendas marinhas ocorreu nesta mesma época, como parte do “Plano Nacional de Desenvolvimento da Maricultura”, nos estados litorâneos brasileiros com aptidão ao cultivo nas comunidades envolvidas, apesar dos conflitos socioambientais. O município de Palhoça detém a maior produção de mexilhões em Santa Catarina. O marisco é um alimento popular no litoral catarinense e também uma iguaria na gastronomia internacional. A maior ameaça ao setor são os efluentes urbanos e os seus impactos ambientais. A falta de uma associação de produtores, bem como de um planejamento voltado à ocupação territorial de modo controlado e racional, tomando como fim a preservação do ecossistema de interesse, afeta a continuidade e o desenvolvimento econômico da atividade. (shrink)

PROJETO DE IRRIGAÇÃO SANTA CRUZ DO APODI SOB A PERSPECTIVA DA VIOLAÇÃO AO DIREITO INTERNACIONAL DOS DIREITOS HUMANOS.

Este artículo, producto de un proyecto financiado por la Fundación Cajacanariasy la Asociación Cultural TuSantaCruz, analiza las perspectivas juveniles acerca de la realidad social, política y económica que marcan las diferentes trayectorias de vida de la juventud que habita en Santa Cruz de Tenerife. El uso del concepto de joven que hacemos en este trabajo es más abierto de lo habitual, pues concebimos que la juventud es una categoría social atravesada por cuestiones como el origen social, el nivel (...) de estudios y la clase social, por lo que no es un colectivo caracterizado únicamente por un aspecto biológico-generacional. La metodología utilizada es de tipo cualitativa, concretamente se ha empleado la técnica denominada grupos de discusión.This article, that was a product of a project funded by the Cajacanarias Foundation and the TuSantaCruz Cultural Association, analyzes the youth perspectives of the social, political and economic realities that affect at different life trajectories of youth that lives in Santa Cruz de Tenerife. Note that the use made of the concept of youth is more open than usual, because in this communication we conceive that youth is a social category traversed by issues such as social origin, educational level and social class, so this group is not only a group characterized by biological-generational relationships. The methodology used is qualitative, specifically we have used the technique called focus groups. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:'I am cringe, but I am free':A Reparative Reading of Assuming the Ecosexual PositionVanesa Raditz (bio) and Jess Martinez (bio)Annie Sprinkle, Beth Stephens, Jennie Klein, and Linda Montano. Assuming the Ecosexual Position: The Earth as Lover. University of Minnesota Press, 2021. ISBN 9781452965796.INTRODUCTIONEcosexual: Eco from the ancient Greek oikos; sexual from Latin, sexuales 1. a person who finds nature romantic, sensual, erotic, or sexy, which can include humans or (...) not. 2. A new sexual identity (self-identified). 3. A person who takes the Earth as their lover. 4. A term used in dating advertisements. 5. An environmental activist strategy. 6. A grassroots movement. 7. A person who has a more expanded concept of what sex and orgasm are beyond mainstream definitions. 8. A person who imagines sex as an ecology that extends beyond the physical body.Assuming the Ecosexual Position: The Earth As Lover (Sprinkle and Stephens 2021, 2)What does it mean to take the Earth as a lover? How does it change our experiences of pleasure in our bodies to give attention to the eroticism of air in our lungs, mud on our skin, or water in our throats? How would it shape our ethical commitments to these elements that we depend upon for life if we were to reconnect with them as pleasurable extensions of our own bodies? These questions are at the heart of the decades-long research-creation performance-art collaboration between Annie Sprinkle and Beth Stephens that has built an international "ecosexual" identity and movement, a tale that they document in their new book, Assuming the Ecosexual Position: The Earth as Lover. Part travelog, part relationship memoir, part how-to guide, Assuming the Ecosexual Position chronicles [End Page 105] the emergence and evolution of their ecosex concept and community through a playful recounting of over a decade of productions: performative weddings to the earth, moon, lakes, rocks and beyond; theatrical two-women sexecology performances that culminate in explicit sex in piles of earth; ecosex walking tours; workshops; public sex clinics; documentary films; and so much more.Woven throughout are philosophical reflections on the entanglements between bodies, land, sex, eroticism, and love, many of which emerge from ecofeminist thought, pollinated with the post-porn, sex-positive, queer feminism of the 80s and 90s. In introducing their philosophical inspirations, they name Greta Gaard's classic piece on queering ecofeminism (18) which stimulated a body of work describing the ways that patriarchal systems of power simultaneously oppress women, the erotic, and nature (1997). Drawing upon Sprinkle's background in porn and post-porn modernist theater, Stephens' background as a queer artist with a doctorate in Performance Studies, their mutual interest in sex education, and their love for the redwoods of Santa Cruz, the pair crafted ecosexuality as a particular lens for expanding queer ecofeminist inquiry into the power of sexual liberation for ecological liberation, which they do through the creative methodologies of performance. The performance art practice that they develop has significant inspiration from the Fluxus art movement, which resisted the authority of museums to define the meaning or value of art, and encouraged the active practice and production of art throughout life.Among the inspirations they list in the introduction to Assuming the Ecosexual Position, Donna Haraway and Kim TallBear stand out. Donna Haraway's presence is felt throughout the book—as a colleague of Stephens at UC Santa Cruz, as a friend at their Wedding to the Earth, as a collaborator in the documentary Water Makes Us Wet, and ultimately, as a posthuman philosopher (Haraway 2000) who has inspired Stephens and Sprinkle to "see ecosex as a conceptual art practice and a way of thinking beyond individual identity, and even beyond human beings, to envision a larger system—an ecology of relationships" (8). The authors also express the influence of their evolving relationship with Kim TallBear, with whom Beth studied while pursuing her PhD, and who has encouraged the pair to leverage this posthuman and new materialist consciousness towards decolonial politics (TallBear 2015). They cite one of TallBear's blog posts on ecosexuality, where she encourages ecosexuals to use a critical eye towards "New Age" appropriation of Native American ceremonies... (shrink)

Cosmos+Taxis published a special issue with a symposium discussing Robert Vinten's book Wittgenstein and the Social Sciences. The symposium was edited by Richard Eldridge and it contains contributions from Paul Roth (Distinguished Professor, UC Santa Cruz), Daniel Little (Professor, University of Michigan, Dearborn), Rafael Azize (Associate Professor, Federal University of Bahia), Richard Raatzsch (Professor, EBS Universität), and Rupert Read (Associate Professor, UEA) - with a response by Robert Vinten ('Response to Critics'). Within the issue the papers compare Wittgenstein's (...) philosophy to art, compare Wittgenstein to Brecht, and examine the nature of the social sciences. (shrink)

ArgumentWe continue our analysis of modeling practices that focus more on qualitative understanding of system behavior than the attempt to provide sharp forecasts. The argument here is built around three episodes: the ambitious work of the Princeton Meteorological Project; the seemingly simple models of convection in weather systems by Edward Lorenz at MIT; and then finally analysis of the dripping faucet by Robert Shaw and the Dynamical Systems Collective at UC Santa Cruz. Using the Princeton Meteorological Project as (...) an argumentative foil for the later chaos work of Lorenz and Shaw, we first show how the epistemological interest of modeling came to shift fromissuingpredictions toprobingthe very meaning and limits of prediction. The second step of our argument shows that what may be seen in one context of use as a modeling technology that is error ridden, imprecise, or inadequate, may be parsed completely differently in another context. This argument about technology and practice, we argue, feeds through to epistemological conceptions of error. Far from being something that can be defined in the absolute, the notion of error is shown to be contextually plastic. (shrink)